Answer
TWO of the following:
1.
As you might expect in a play written in the early 17th century
about a Moor (an African—probably from Morocco), the issue of race dominates
the play. How do we know this is a very
racially divided society, and that despite Othello’s accomplishments, he is
still seen as a “moor” rather than (solely) a great hero?
2.
Examine the famous ‘trial’ scene in Scene 3, where Brabantio claims that
Othello has seduced his daughter through witchcraft. How does Othello defend himself from these claims, and how does
this scene illustrate his ‘heroic’ character and values? Related to this, why might it make us
sympathetic to him instead of Brabantio?
3.
In Scene 1, Iago tells Roderigo that “I am not what I am.” Throughout the play, he tells various people
different stories explaining his motivations, hatreds, and values. Can we trust anything he says? Do we ever hear him speaking the ‘truth,’ or
something that sounds more plausible to our ears? In other words, when do we hear the ‘real’ Iago—and can we assume
that his comment to Roderigo is even authentic?
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