Monday, September 23, 2019

For Wednesday: Kwaidan, pp.3-31: Q's for "Revenge" Group


The following questions are here to help guide you through Wednesday's reading, but are mandatory for the "Revenge" Group to answer. Their members are: Liv C, Marissa M, Tara S, Jordan H, Kele P, Cody T, Estelle L, Anthony Y, Casi B, Zach W, Brookelyn L

READ the following stories: The Story of Mimi-Nashi-Hoichi, Oshidori, The Story of O-Tei, Ubazakura, and Diplomacy. 

Answer TWO of the following:

Q1: In the story, "Diplomacy," the narrator writes that "if any person be killed while feeling strong resentment, the ghost of that person will be able to take vengeance upon the killer" (29). Why might a culture believe that dying a 'good death' is more important than how (or when) you die? Do other stories comment on this as well?

Q2: What sense of good and evil (or justice) do these stories offer? Do they follow an obvious sense of right and wrong, or are people punished or rewarded in a less obvious way? Is there a story that seems to offer a clear, recognizable moral; or does a specific story stand out for being more arbitrary in its 'happy ending'? 

Q3: Throughout the stories, Hearn (an American by way of England) struggles to translate the culture and customs of Japan through these colorful, exotic stories.  One of the most significant ideas is found in the story “Of a Mirror and a Bell,” when he explains the concept known as “nazoraĆ«ru.”  What does this word mean, and how might it capture something of the Japanese perspective on the invisible powers that shape the world?  Do we have something similar to this in Western/American culture? 

Q4: What do these stories have in common with Western (or American) ghost stories such as something by Poe, or Dracula, or even horror movies like The Exorcist or The Haunting? Are these stories equally concerned with being 'scary' or shocking? Or is this supernatural element more superficial, and more of a "finger" than a "moon"? Use a specific story to support your response.

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